. Menos hablar y más subir vídeos para demostrar lo que se presume, porque. Salsa, Rueda de casino "Casa de la Trova" Santiago de Cuba. each others arms, in the video starts at time 1:25, please let me know thanks.Salsaddiction Rueda de Casino Wiki. Cover for third edition of the Rueda de Casino Book. Welcome to the Rueda de Casino Wiki. Sponsored by Salsaddiction, a great dance company in Edmonton, Alberta, Canada Note: This entire wiki is now available as a book - order it online here! Introduction[edit]Rueda de Casino is a style of Salsa where several couples dance choreographically around a circle, with the dance moves being called by one person, a caller. This style was developed in Cuba in the 1. More at Wikipedia]. The wiki is to help all students of Rueda remember and refine their Rueda patterns, reflecting local variations, and growth of the dance. Please contribute! Below are step- by- step instructions for each rueda move and under the fold, where possible, a link to an online video. Closed position - Right arm of the lead goes around the left side of the follow, left arm of lead holds the right hand of the follow at about shoulder height. The basic default movement, follow mirrors lead who swings left hand down while stepping left, right, left for 1,2,3 and pushes on right while stepping right, left, right on 5,6,7. Hammer lock - - Lead and follow face each other with the follow's left arm behind their back holding onto the leads right hand. Follow's right hand holds lead's left. Open position - - Lead holds the opposite hand of the follow, left to right, right to left. Rueda Patterns - Level One[edit]Abajo - - The lead initiates an alternating cross step with the follow in place. On one, the lead steps left and on two pulls the follow past them while stepping to the right. The follow meantime steps back, then crosses with left, steps right and crosses back on 6,7. Al medio - - Lead and follow in closed position, with lead facing the "downstream direction" (left shoulder towards inside of the circle), and the follow facing the lead. On 1,2,3, the lead taps with left foot while leaning outward holding left arm up. On 5,6,7, lead bends leftward, taping with right foot. The follow mirrors the lead. Arriba - - Lead and follow in closed position, with lead facing downstream. Lead moves the follow backward, counter clockwise around the circle - leads starts with left arm down, and goes up/down to the beat. Bulla - - (una, dos) - A loud yell on 5,6,7. Usually called during Al medio, though could be called at other times. Cucaracha - - Stamp inside the circle killing the cockroach, right foot for lead, left for follow. Matala - This call usually follows Cucaracha or Cucaracha doble.
Dame - - Lead goes to the next follower downstream and Dile que no. Dame dos - - Lead goes to the second follower on the right (downstream) and Dile que no. Dame tres - Lead goes to the third follower on the right (downstream) and Dile que no. Dile que no - - cross body lead. Enchufla - - Lead steps back and pulls the follow past on the right, turn to face the follow. Keep the elbows bent! Mentira - - Spanish for "it's a lie", called while some other move is in progress, and means that the lead keeps the same follow (in a move where normally the lead would go to the neighboring follow). Numbers: Una Para Arriba - - Lead goes to the next follow upstream. Pelota Uno - - Enchufla, and before getting to the next follow, clap once on 7. Prima - - Back break and the lead pulls follow up close with the follow's right arm up and catches follow, spins with the follow, then going to the next follow on the right. Sacala - - Lead the follow into the centre of the circle and back out. Sientate - Spanish for "sit- down", this is usually called at the end of a song as the last move. Starts like Siete, lead preps on 7 of the previous count by putting the left hand into the circle, then swinging it back out. The follow then spins clockwise on 1,2,3 ending up with their right shoulder on the chest of the lead, and seating on the lead's lap. Sombrero - - Lead switches hands, right to right, left to left, then spins the follow around clockwise while walking the follow around to the right side of the lead. Drop the arms down, then back up, over the head and onto the shoulders. The lead should have their right arm around the back of the follow and the left hand over their left should. Un tarro - - on 5,6,7, lead steps back, puts the follows right arm up and pulls themselves under going to next follow. Rueda Patterns - Level Two[edit]Abanico - - As shown. Arcoiris - - Start like setenta and walk the follow around, then step in front with right hand up. Then lift both hands and start to spread them and the follow should spin to end up back to back. Drop the hands low, then turn toward the follow your right and duck back under the arm and the lead should be in a hammer lock at this point. Back break out. Babosa - - Lead takes both hands, back steps and pull the the follow into a "hug" or sweetheart move on the lead's right (both facing inward). The lead holds the right hand and spins the follow out to the next lead on the right while looking for the hand of the follow on the left. Enchufla the follow and then cross body. The enchufla is only done if an enchufla complicado is not called. Chisme - Exactly like Babosa, but after the enchufla, return back to your original partner Besito - - As shown,start like sombrero, but walk the follow behind as the lead keeps their right hand low. The follow should end up on the left hand side of the lead and the lead puts their left arm over onto the should over the follow. Then kiss the cheek of the follow. Lead then turns clockwise under the arms and then enchuflas the follow back into a sombrero. Balsero - - Start like Sombrero but instead of putting the arms on the shoulders, bring the follow around behind, making sure to get the follow behind and to the left of the lead on 7, with their right hand on the lead's right shoulder. Then spin the follow around in front and put them into a Sombrero on the right side. Finish as a normal Sombrero. Cagua - Starts similar to Sombrero with the follow ending up on the right side of the lead, with arms around each other's shoulders. From there and on the second eight count, the lead puts their right arm under the left arm of the follow and asks for the right hand. The lead's right arm should still be tucked around the follow's left arm with the back of the lead's hand resting on the follows hip or stomach. The follow then back rocks and ducks under turning counter clockwise as lead pulls with the right hand up and over the head of the follow. The lead and follow should be facing each other with left over right. On the next eight count, the follow back rocks again and is pulled into a sombrero on the right side of the lead, right hand on follow's shoulder, left on lead's shoulder. Cross body back to neutral. Carrusel - - Starts with an Enchufla, then Sacala, then enchufla pulling the follow past to the next lead. The lead grabs the hand of the next follow ahead and repeats the Sacala then Enchufla three times, on the fourth follow, do a cross body lead to end. The leads will naturally stay facing out of the circle for most of this move. En Chavarria or Tres Dos - - This is called off a cross- body lead and on 1 of the next eight count while still in a right to left hand hold and facing into the circle, the lead with bent legs, plants with their right foot and then points their feet first left, right and then left again. The follow does the opposite, planting their left foot and doing a right, left, right shifting motion. This is similar to Coca Cola which can be called off a cross body. Cheveria Complicado - Starts like Chavarria (aka Tres Dos), but after the touch on 5,6,7, the leads spin to the right twice and presents the shoulder or fore- arm for the touch on 5,6,7. Coca Cola - - On a cross body lead, the lead spins the follow by the shoulder and with the same left hand, pulls the follow behind all on 1,2,3. On 5,6,7, the lead finished the cross body back to the left. Cubanito - - Start with an Enchufla, and the lead then steps in front of the follow facing into the circle, switching hands. The lead and follow then back rock twice and on the third back rock, the lead puts the right hand on their shoulder and finishes like Balsero. Dame con Chocolate - - On 1,2,3, lead turns counter- clockwise facing away from the follow and on 5,6,7 both jump back with hands up and leaning forward slightly. Dame Diente - Prep on 7 with the left hand, then check the follow in a wrap (follow turns clockwise) and unwrap. On the next eight count, the lead then wraps in, turning to the left, touches hands on 5 (right to left) then unwraps. Then, prepping on 7 again with the left hand, the follow is wrapped and the lead wraps as well, making sure to switch hands from left to right. The initial prep is done with the lead's left to the follow's right and then as the follow goes into their wrap, the lead switches to a right to right hand hold, making sure to bend their own arm around the follow. Then both follow and lead unwrap and do a vacilala con dos with Lead and Follow both doing spins. El Dedo - - As shown. El Dedo Complicado - - Similar to El Dedo, but on 5 while leading the follow around, back step and pull the follow's arm over your shoulders. Then grab the follow around the waist and lead the follow around for an eight count. Automatic dame. Al Directo - - The lead pulls the follow past on the right and claps the hands of the next follow on 5. Al Directo Doble - - Like Al Directo, upon clapping the hands on 5 of the next follow, the lead spins to the right going past and connects with the next follow. The leads move clockwise and the follows walk counter- clockwise. El Dos - - Enchufla and while stepping in front of the follow, the lead asks for the followers right hand. Then on the next count, the lead presents the left hand and continues in a cumbia motion with the follow behind. Step to the left and right, and lastly the lead keeps the right hand high and pull the follow around with both arms, spins the follow and does a sombrero. El Doce - - As shown.
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